| The
Great Outdoors
13 July - 5 August 2011
View Works: Jon
Braley | Luca Sangjun Kim
Paint
is a luscious material. Morphing between liquid and
solid states, it
gives artists the chance to be alchemists as a kind of
fluid philosopher’s stone. Key to this is the element
of natural processes: what the paint does, how it behaves,
and how the artist intervenes to manipulate the material
to their own ends. But it is by no means a one-way relationship.
Gravity and time clash with action and intent, so that
paintings become the place where natural forces and human
endeavour collide. Process painting becomes, more often
than not, a battle of wills.
The Great Outdoors presents new works by Jon Braley
and Luca Sangjun Kim who use this process as a focus
in their painting, and as a result use their paintings
to explore how we relate to the natural environment -
from the desire to control and exploit, to the romanticism
of the sublime, and our increasing distance from the
organic world we inhabit.
In Jon Braley’s work, this romanticism is articulated
through a sense of separation, as if the sublime ideal
had been captured in amber like a fossil of a lost age.
Braley’s amber is industrial resin, a material
akin to liquid glass that the artist grapples with like
a paint to turn his works into slick reflective objects.
What it encases seems to have been packaged and shrink-wrapped,
turning any naïve notions of a transcendental sublime
into a tidy consumer product. In this new series of paintings,
Jon explores this through the use of metallic gold pigments,
creating rough underlying landscapes that glitter with
the allure of a gold-rush. They suggest both the escapism
and the profit so often associated with the raw natural
world, and hint at the increasingly disconnected relationship
we have with the natural world.
Luca Sangjun Kim’s paintings allude to an idealised
purity of nature but in a contradictory way – as
if the idea were compressed, squeezed out of a tube,
and then engineered beyond recognition. His works are
constructed from layer upon layer of pure acrylic, into
which the artist makes intense, definite gestures that
compound the colours in the centre, leaving the sedimented
excess colours outside. The paintings ooze purity around
the edges, whilst bursting with creative intervention
within. Luca acts like a prospector on the desire of
an uncomplicated vision of wholesome nature, bringing
his energy to bear on the materials in a very visible
way to create a kind of visceral, visual electricity.
|

"Gold Eclipsed"
by Luca Sangjun Kim
Acrylic on canvas, 2011
107cm x 97cm
"Untitled" by Jon Braley
Mixed paints & resin on panel, 2011
91cm x 61cm |